We had an early start to catch the 08:18 train to Naples
from the station next to the campsite. It was very crowded and we had to stand
most of the way. One of the stops on the way was Herculaneum, another wonderful
site caught in the same volcanic eruption as Pompeii. We have visited the site
before and decided not to visit it again on this trip.
Arriving in the centre of Naples, we had a long walk through a shopping mall to
get to the Metro where we caught a train to the Museo station, right next to
the Naples National Archaeological Museum. Arriving at about 09:30, we avoided
the rush and there was only a very short queue for tickets.
It is a huge spacious museum and it never felt crowded. We had avoided the
weekend to visit as we had been warned that it was always busy and Monday
turned out to be a very good choice as there were very few tour groups.
The museum does not have as many exhibits as the British Museum but the quality
is breathtaking – beautiful frescoes and fantastically detailed mosaics, some
with tesserae only 1 or 2mm across and looking more like paintings. I have
never seen so many statues in wonderful condition. Vessels and other finds
looked like they had been made yesterday.
The rooms dedicated to the Farnese Collection were interesting. Farnese was a
16th Century collector who accumulated an extraordinary number of
artefacts. He wanted a collection that showed the history of the Romans but
this led to practices that would be considered to be unacceptable today. The
collection contains fakes (16th Century reproductions and
inventions), heads on statues were replaced with ones that fitted the story and
heads were modified to represent different people. A high proportion of the
statues were not completely genuine.
There was an excellent section on the Greeks in Italy where we had to put on
shoe coverings in order to protect the excellent Roman mosaic floors that were
in every room. Excellent information boards told the story of the Greeks and
their travels in the area and the finds were as good as those in the Athens
museum.
At the4 end of the visit, we decided to take a look at a special exhibition on
the top floor that was devoted to the theft and recovery of archaeological
finds. It was absolutely fascinating, with lots of stories of individual cases
of recovery as well as background information such as the fact that in 2020 the
Italian authorities retrieved 46,000 stolen artefacts.
That brought an end to our 7 hour visit to the museum and we retraced our
morning journey, once again standing most of the way on the train back to
Pompeii.
Photos: The House of Julia Felix in Pompeii produced a fascinating series of
fresco panels showing everyday life in the city – here pots, pans, fabric and
bread are being sold in front of a colonnade; This 1st century AD bronze
statue from Herculaneum is of Livia, wife of Augustus (emperor 27 BC to 14 AD) –
the detail in the folds of cloth and the face are beautiful; Bust of Emperor Caracalla
dated to 212 AD shortly after he was assassinated – part of the Farnese
Collection and original, although it was removed from a badly damaged statue;
Sarcophagus from AD200 depicting drunken Hercules joining Dionysus in a
procession; The label for this 1st century AD mosaic says that it is
a ‘Cook Fight’ but I think that it should be ‘Cock Fight’ – the detail and the
variety of colours is amazing; Late 2nd or early 1st
century BC mosaic of street musicians – again using tiny tesserae, note the shadows!;
A Greek krater dating from the 4th century BC with scenes of the
afterlife; Part of a 1st century AD fresco from Pompeii, which shows
that, even in Roman times, a visit to the hairdresser can go horribly wrong –
this was the first time that she had looked in the mirror.








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